State of Matter, 2012 site-specific installation with preexisting steel tanks, laquered wood, aluminium-casts and LED lights
Kunstraum Buchberg
STATE OF MATTER, 2012
State of Matter, 2012 site-specific installation with preexisting steel tanks, laquered wood, aluminium-casts and LED lights
Kunstraum Buchberg
STATE OF MATTER, 2012
State of Matter, 2012 site-specific installation with preexisting steel tanks, laquered wood, aluminium-casts and LED lights
Kunstraum Buchberg
02
Untitled Intervention, MAK 02, 2012 Transformation and Motion
With its nine collecting areas, the MAK not only represents an enormous store of objects and information, but also bears witness to how processing techniques, materials research and concepts of both science and functional aesthetics undergo constant development and reflect society´s continual change.
A history of transformation can be traced which crosses chronological, regional and geographic boundaries and manifests itself in all areas of aplied art, including the way such areas open up to other disciplines and fields of research.
Krüger & Pardeller have developed a variable display which is set in motion simply by being observed.
Untitled, MAK 02, 2012 lacquered wood, 6 screen-prints, à 162 x 75 x 162 cm MAK Museum of Applied Arts|Contemporary Art
Untitled Intervention, MAK 02, 2012 Transformation and Motion
Untitled, MAK 02, 2012 lacquered wood, 6 screen-prints, à 162 x 75 x 162 cm MAK Museum of Applied Arts|Contemporary Art
03
Untitled Intervention, MAK 03, 2012 A Collection of Samples as a Reservoir of Forms
The museum´s founding principle is based on the historical concept of a collection of samples compiled in the interest of knowledge transfer and the development of taste. Today, the information stored in the forms thus collected still bespeaks a knowledge which can faciliate the interpretation of culture. Originally two-dimensional examples from the collection (ornamental engravings and design sketches) are transformed by Krüger & Pardeller into material results and hence brought to life as things. In doing so, the process of materialization is intentionally left in limbo between sketch and execution. the motifs thus become objects in an abstracted, implied manner; this allows them to encounter each other on one single level without regard to origin and tradition...
Untitled, MAK 03, 2012 lacquered wood and MDF 2 parts, à 213 x 700 x 138 cm MAK Museum of Applied Arts|Contemporary Art
Untitled Intervention, MAK 03, 2012 A Collection of Samples as a Reservoir of Forms
One half of them consists in motifs derived from nature, such as those which provided the basis for Japanese printing stencils of textile designs of the Wiener Werkstätte. The other half is drawn from formal vocabulary of cultural products resulting from the design sketches for clothing, architecture, tools and containers.
Together they form a passageway and thus a physical experience of form and space, narration and reference.
Untitled, MAK 03, 2012 lacquered wood and MDF 2 parts, à 213 x 700 x 138 cm MAK Museum of Applied Arts|Contemporary Art
04
Untitled Intervention, MAK 04, 2012
The intensive archival work relates this intervention with the term of artistic research as a catalyst of aesthetic processes combining experience and reflection. It aims for a socially relevant visuality that allows a deeper understanding of the connection between historic and contemporary cultural production.
Untitled, MAK 04, 2012 wallpaper and text
05
STATE OF MATTER, 2012
State of Matter, 2012 site-specific installation with preexisting steel tanks, laquered wood, aluminium-casts and LED lights
Kunstraum Buchberg
STATE OF MATTER, 2012
State of Matter, 2012 site-specific installation with preexisting steel tanks, laquered wood, aluminium-casts and LED lights
Kunstraum Buchberg
STATE OF MATTER, 2012
State of Matter, 2012 site-specific installation with preexisting steel tanks, laquered wood, aluminium-casts and LED lights
